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The FIREPOD is loaded with eight custom-designed ultra low noise, high headroom
microphone preamplifiers perfect for recording a wide variety of sources including vocals, drums, guitars, bass, piano, keyboards,
guitars, synths, horns, orchestras, choirs, and more. Eight potentiometers are on the front panel to easily control the input
level of each preamplifier.
Inputs one and two of the FIREPOD can be switched between microphone or instrument
level while inputs three thru eight can be switched between microphone or line input. Phantom power (+48V) is available on
every channel in groups of four. Channels 1 and 2 feature fully balanced send and return TRS connectors on the rear of the
rugged metal chassis for inserting outboard dynamics, EQ and effects processors. The FIREPOD has eight balanced TRS line outputs
as well two balanced TRS MAIN outputs as well as CUE outputs for addtional monitoring.
The FIREPOD also includes stereo headphone output on the front panel, as well as mix
control to balance monitoring levels between mixed input and main output signals for zero-latency monitoring. Two channels
of SPDIF input and output as well as MIDI input and output are also included.
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